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Discover reliable and peer reviewed sources in Music, Theatre, and related fields.
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Performing Arts

Welcome to the library's guide to resources in the Performing Arts!

For a simple search, explore WorldCat under "Research Tools" to the left.

For a focused research in Music, Theatre, or related fields, click on a tab above.

 

      
     

    Featured Titles

    Cover Art
    The Cambridge Introduction to Serialism - Arnold Whittall
    Call Number: ML197 .W536 2008
    ISBN: 9780521863414
    Publication Date: 2008-10-16
    From the earliest years of the 20th century composers sought ways in which to break from earlier musical traditions. Serialism is one of the most prominent innovations resulting from this. From Schoenberg to Stockhausen, Berg to Boulez, this introduction tells the story of how serialism emerged, and provides a basic outline of serial compositional techniques.

    * Introduces serialism - a traditionally complex but key area of music studies - in a thorough and straightforward way

    * Clearly and concisely describes the technical aspects of serialism, using illustrative music examples

    * Contains a glossary to aid readers unfamiliar with specialized vocabulary.

    Cover Art
    Simple Composition - Charles Wuorinen
    Call Number: MT40 .W9 1994
    ISBN: 9780938856061
    Publication Date: 1990-01-01
    Originally published in 1979, this book was reissued by C. F. Peters Corporation in 1994. The author, composer Charles Wuorinen, describes the book in this way : "--this book is written by a composer and is addressed to other composers - intending or actual, amateur or professional. Thus it is similar in intent to certain older books on the subject like Thomas Morley's 'A Plain and Easie Introduction to Practical Musicke' (1597), for instance...It outlines present practice, and while it can be used for purely didactic purposes, it can also be employed in composing 'real' music."

    "In writing this book, I intended it primarily as a guide for composers in search of practical advice and models of how one might work compositionally. But since my presentation made extensive use of the twelve-tone system in its simplest and most easily describable form, the book was taken as a primer in that system. The fact that I used twelve-tone relations for convenience and only because of their simplicity was somehow overlooked. Perhaps today in 1994 (the year this book was reissued after its first publication in 1979) the book may make a slightly different contribution than it originally did: to offer a basic outline of a musical system and method that has proved immensly rich since its introduction by Schoenberg seventy-five years ago, as well as to provide a few practical tips."

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